{"id":2419,"date":"2026-01-23T14:05:40","date_gmt":"2026-01-23T13:05:40","guid":{"rendered":"https:\/\/bod.ujep.cz\/?p=2419"},"modified":"2026-01-29T13:44:06","modified_gmt":"2026-01-29T12:44:06","slug":"dila-stavici-na-participaci-komunite-a-akci-nabizeji-skvely-prostor-pro-poznani-neceho-noveho","status":"publish","type":"post","link":"https:\/\/bod.ujep.cz\/?p=2419","title":{"rendered":"Ide\u00e1ln\u00ed prostor pro pozn\u00e1n\u00ed n\u011b\u010deho nov\u00e9ho"},"content":{"rendered":"\n
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Skupinov\u00e1<\/strong> mezin\u00e1rodn\u00ed<\/strong> v\u00fdstava Sd\u00edlen\u00e9 existence v Dom\u011b um\u011bn\u00ed \u00dast\u00ed nad Labem p\u0159edstavuje um\u011bn\u00ed zalo\u017een\u00e9 na spolupr\u00e1ci, participaci a dlouhodob\u00fdch vztaz\u00edch. Kur\u00e1torka Petra Wid\u017eov\u00e1 v rozhovoru mluv\u00ed o komunitn\u00edm a kolektivn\u00edm um\u011bn\u00ed, o p\u0159esazov\u00e1n\u00ed zku\u0161enost\u00ed z konkr\u00e9tn\u00edch m\u00edst do galerie i o tom, pro\u010d je dnes d\u016fle\u017eit\u00e9 vn\u00edmat v\u00fdstavn\u00ed prostor jako m\u00edsto setk\u00e1v\u00e1n\u00ed, sd\u00edlen\u00ed a aktivn\u00edho vztahu k okoln\u00edmu sv\u011btu.<\/strong><\/p>\n\n\n\n

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V\u00fdstava Sd\u00edlen\u00e9 existence ukazuje um\u011bn\u00ed, kter\u00e9 nevznik\u00e1 o samot\u011b. Co t\u011b osobn\u011b p\u0159itahuje na um\u011bn\u00ed, kter\u00e9 stoj\u00ed na spolupr\u00e1ci v\u00edce lid\u00ed?<\/strong><\/p>\n\n\n\n

Na tomto typu um\u011bn\u00ed m\u011b bav\u00ed hlavn\u011b velk\u00fd prostor pro hravost, kter\u00fd se zde otev\u00edr\u00e1. Kur\u00e1torsk\u00e1 pr\u00e1ce je pot\u00e9 hodn\u011b o komunikaci s um\u011blci a o procesu, b\u011bhem kter\u00e9ho d\u00edla i v\u00fdstava vznik\u00e1. Tento p\u0159\u00edstup, se kter\u00fdm pracuji ve Sd\u00edlen\u00fdch existenc\u00edch<\/em>, ale objevil se \u010d\u00e1ste\u010dn\u011b i na m\u00e9 star\u0161\u00ed v\u00fdstav\u011b Logika r\u016fstu <\/em>v bene\u0161ovsk\u00e9m MUD, mi tak\u00e9 jako kur\u00e1torce pom\u00e1h\u00e1 celou v\u00fdstavu mnohem osobn\u011bji pro\u017e\u00edt. S kolektivn\u00edm a participativn\u00edm um\u011bn\u00edm se nav\u00edc poj\u00ed z\u00e1sadn\u00ed mo\u017enost vstupovat do r\u016fznorod\u00fdch prost\u0159ed\u00ed a pozn\u00e1vat je p\u0159\u00edmo b\u011bhem jejich realizace. Velmi pozitivn\u00ed je pro m\u011b tak\u00e9 vid\u011bt, jak\u00fdm zp\u016fsobem se cel\u00e1 \u0159ada um\u011blc\u016f \u010di kolektiv\u016f vztahuje k probl\u00e9m\u016fm sou\u010dasn\u00e9 spole\u010dnosti a usiluje o soci\u00e1ln\u00ed zm\u011bny; v dne\u0161n\u00ed dob\u011b politick\u00fdch zvrat\u016f je toti\u017e podle m\u011b extr\u00e9mn\u011b d\u016fle\u017eit\u00e9 p\u0159ipom\u00ednat si v\u00fdznam aktivn\u00ed ob\u010dansk\u00e9 anga\u017eovanosti a obecn\u011b k vn\u00edm\u00e1n\u00ed okoln\u00edho sv\u011bta. Tyto formy um\u011bn\u00ed se nav\u00edc \u010dasto vyv\u00edj\u00ed mimo klasick\u00e9 formy um\u011bleck\u00fdch d\u011bl a um\u011bleck\u00e9ho trhu a nab\u00edz\u00ed velk\u00fd prostor pro experiment. S n\u00edm je nesm\u00edrn\u011b zaj\u00edmav\u00e9 pracovat od za\u010d\u00e1tku do konce, a\u010dkoliv s sebou pochopiteln\u011b p\u0159in\u00e1\u0161\u00ed i ur\u010ditou nejistotu v\u00fdsledku.<\/p>\n\n\n\n

N\u011bkter\u00e9 projekty na v\u00fdstav\u011b vych\u00e1zej\u00ed z velmi konkr\u00e9tn\u00edch m\u00edst a komunit. T\u0159eba pr\u00e1ce spolku Poj\u010f ven!! \/ Av avri! nebo um\u011bleck\u00fd v\u00fdzkum Romany Hagy\u00f3 a Silke Maier-Gamauf v \u00dast\u00ed nad Labem. Co se podle tebe stane, kdy\u017e se takov\u00e1 zku\u0161enost p\u0159esune do galerie?<\/strong><\/p>\n\n\n\n

Mysl\u00edm si, \u017ee to hodn\u011b z\u00e1vis\u00ed na konkr\u00e9tn\u00edm d\u00edlu, poka\u017ed\u00e9 se toti\u017e d\u011bje trochu n\u011bco jin\u00e9ho. Za m\u011b je to tak, \u017ee se v tomto p\u0159\u00edpad\u011b nebav\u00edme tak \u00fapln\u011b o v\u00fdznamov\u00e9m posunu um\u011bleck\u00fdch d\u011bl – podobn\u011b jako kdybychom do galerie p\u0159en\u00e1\u0161eli t\u0159eba street art nebo um\u011bn\u00ed, kter\u00e9 vznik\u00e1 pro konkr\u00e9tn\u00ed ve\u0159ejn\u00fd prostor. Tam by ztr\u00e1ta kontextu a posun v\u00fdznamu byl markantn\u011bj\u0161\u00ed. V\u011bt\u0161ina d\u011bl na v\u00fdstav\u011b vznikla p\u0159\u00edmo pro DU\u00daL a t\u0159eba u Av avri! je to o p\u0159en\u00e1\u0161en\u00ed ur\u010dit\u00e9 zku\u0161enosti, o mo\u017enosti vypr\u00e1v\u011bt p\u0159\u00edb\u011bhy marginalizovan\u00e9 skupiny d\u011bt\u00ed jejich optikou. V\u00fdstava se potom st\u00e1v\u00e1 takov\u00fdm m\u00e9diem, kde se daj\u00ed aktivity odehr\u00e1vaj\u00edc\u00ed se v rovin\u011b komunitn\u00edho um\u011bn\u00ed sd\u00edlet. U Romany se Silke je to je\u0161t\u011b trochu jinak. Jejich dlouhodob\u00fd z\u00e1m\u011br stoj\u00ed na sledov\u00e1n\u00ed oby\u010dejn\u00e9ho \u017eivota v r\u016fzn\u00fdch lokalit\u00e1ch, ve kter\u00e9m odhaluj\u00ed genderov\u00e9 stereotypy, bari\u00e9ry \u2013 fyzick\u00e9 i ment\u00e1ln\u00ed. Tento typ um\u011bleck\u00e9ho v\u00fdzkumu tak m\u016f\u017ee vznikat kdekoliv to autork\u00e1m p\u0159ijde zaj\u00edmav\u00e9. A fotografie je jejich hlavn\u00edm vyjad\u0159ovac\u00edm prost\u0159edkem, kter\u00fd \u010dasto kombinuj\u00ed tak\u00e9 s instalac\u00ed a objekty. <\/p>\n\n\n\n


Zvukov\u00e9 pr\u00e1ce Poliny Khatsenko nebo ritu\u00e1ln\u00ed projekty Lucie Kr\u00e1l\u00edkov\u00e9 (Efem\u00e9r) pracuj\u00ed s n\u011b\u010d\u00edm, co se \u0161patn\u011b vystavuje. Se vztahem, atmosf\u00e9rou, pam\u011bt\u00ed. Jak m\u016f\u017ee galerie jako prostor fungovat pro takov\u00e9 \u201eneviditeln\u00e9\u201c v\u011bci?<\/strong><\/p>\n\n\n\n

Ur\u010dit\u011b je to trochu t\u011b\u017e\u0161\u00ed, ale mysl\u00edm, \u017ee kdy\u017e se fin\u00e1ln\u00ed podoba v\u00fdstupu, kter\u00e1 bude nakonec vystavena v galerii \u0159e\u0161\u00ed od sam\u00e9ho za\u010d\u00e1tku vzniku d\u00edla, tak to m\u016f\u017ee fungovat dob\u0159e a z\u00e1rove\u0148 p\u0159in\u00e1\u0161et estetick\u00fd z\u00e1\u017eitek i div\u00e1kovi, kter\u00fd na akci nebyl. To plat\u00ed hlavn\u011b pro akce Lucie, kter\u00e9 jsou hodn\u011b o byt\u00ed sou\u010d\u00e1st\u00ed dan\u00e9ho d\u00edla, ve kter\u00e9m autorka r\u00e1da updatuje ritu\u00e1ly pro sou\u010dasn\u00fd sv\u011bt, ale tak\u00e9 zcitlivuje na\u0161e vn\u00edm\u00e1n\u00ed okol\u00ed nebo vytv\u00e1\u0159\u00ed vazby s r\u016fzn\u00fdmi akt\u00e9ry \u2013 a\u0165 u\u017e lidmi, p\u0159\u00edrodou, minulost\u00ed, m\u00edstem. Akce jsou hodn\u011b atmosf\u00e9rick\u00e9, s \u010d\u00edm\u017e pracujeme i v dan\u00e9m v\u00fdstupu participativn\u00edho d\u00edla Adventn\u00ed nov\u00e9ny \u2013 do galerie p\u0159ibydou fotografie, kter\u00e9 po\u0159\u00eddili spoluakt\u00e9\u0159i d\u00edla v jeho pr\u016fb\u011bhu a taky se zde objev\u00ed symbol, kter\u00fd byl v r\u00e1mci akce p\u0159en\u00e1\u0161en. U Poliny je to potom trochu jin\u00e9, proto\u017ee tam akce \u201evenku\u201c nebyla ur\u010dena pro zapojen\u00ed div\u00e1k\u016f. Nahr\u00e1v\u00e1n\u00ed na konkr\u00e9tn\u00edch lokac\u00edch spojen\u00fdch s m\u00edstn\u00edmi legendami bylo sou\u010d\u00e1st\u00ed procesu vzniku d\u00edla. T\u00edm fin\u00e1ln\u00edm d\u00edlem je pot\u00e9 sonick\u00e1 architektura \u2013 zjednodu\u0161en\u011b prostor vytvo\u0159en\u00fd a formovan\u00fd zvukem. L\u00e9pe \u0159e\u010deno precizn\u00edm vrstven\u00edm a modelov\u00e1n\u00edm zvuku, kter\u00fd sice nevid\u00edme, ale jakmile si do n\u011bj n\u00e1v\u0161t\u011bvn\u00edk sedne, tak si mysl\u00edm, \u017ee to ihned pochop\u00ed.<\/p>\n\n\n\n


\u2028\u0158ada lid\u00ed m\u00e1 pocit, \u017ee sou\u010dasn\u00e9 um\u011bn\u00ed je uzav\u0159en\u00e9 a mluv\u00ed samo k sob\u011b. Kde podle tebe Sd\u00edlen\u00e9 existence tuto bari\u00e9ru naru\u0161uj\u00ed? A kde ji naopak v\u011bdom\u011b nech\u00e1vaj\u00ed st\u00e1t?<\/strong><\/p>\n\n\n\n

A ono ve skute\u010dnosti mluv\u00ed o tom, co \u017eijeme! D\u00edla na v\u00fdstavu jsem se sna\u017eila tematicky vybrat tak, aby mohly rezonovat se zku\u0161enost\u00ed r\u016fzn\u00fdch n\u00e1v\u0161t\u011bvn\u00edk\u016f, a\u0165 m\u00edstn\u00edch, tak zahrani\u010dn\u00edch. Mysl\u00edm si, \u017ee v\u0161eobecn\u011b d\u00edla stav\u00edc\u00ed na participaci, komunit\u011b a akci nab\u00edzej\u00ed skv\u011bl\u00fd prostor pro pozn\u00e1n\u00ed n\u011b\u010deho nov\u00e9ho, pro neform\u00e1ln\u00ed edukaci a z\u00e1\u017eitek z form\u00e1tu, kter\u00fd je nev\u0161edn\u00ed a mo\u017en\u00e1 i p\u0159\u00edstupn\u011bj\u0161\u00ed pro \u0161ir\u0161\u00ed okruh n\u00e1v\u0161t\u011bvn\u00edk\u016f. V tomto aspektu si mysl\u00edm, \u017ee je v\u00fdstava rozhodn\u011b hodn\u011b bohat\u00e1 a tak\u00e9 v\u00fdrazn\u011b vystupuje ven z white cube Domu um\u011bn\u00ed \u00dast\u00ed nad Labem, prol\u00edn\u00e1 se s b\u011b\u017en\u00fdm \u017eivotem \u201evenku\u201c. Krom\u011b t\u011bchto d\u011bl jsou na v\u00fdstav\u011b ale zastoupeny i klasick\u00e9 form\u00e1ty \u2013 z\u00e1znamy performance, kost\u00fdmy, instalace, videa. Ur\u010dit\u00e1 za\u017eit\u00e1 pravidla a o\u010dek\u00e1v\u00e1n\u00ed z galerijn\u00edho prostoru funguj\u00ed i tady \u2013 ov\u0161em jsou podpo\u0159ena architekturou, kter\u00e1 opticky a metaforicky d\u00edla propojuje, nech\u00e1v\u00e1 je vz\u00e1jemn\u011b komunikovat a pom\u00e1h\u00e1 dovypr\u00e1v\u011bt t\u00e9ma v\u00fdstavn\u00edho celku. Taky k v\u00fdstav\u011b vznikl katalog ve form\u011b novin s doprovodn\u00fdmi texty odhaluj\u00edc\u00edmi principy tvorby autorstva a procesy vzniku d\u011bl (a s k\u0159\u00ed\u017eovkou uprost\u0159ed :). V rakousk\u00fdch instituc\u00edch jsem se inspirovala kur\u00e1torsk\u00fdmi texty v jednoduch\u00e9m jazyce, kter\u00e9 se tam t\u011b\u0161\u00ed velk\u00e9 oblib\u011b, proto\u017ee n\u00e1v\u0161t\u011bvn\u00edka neudusaj\u00ed t\u011b\u017ek\u00fdm kur\u00e1torsk\u00fdm textem a sv\u00fdm stru\u010dn\u00fdm sd\u011blen\u00edm nespot\u0159ebuj\u00ed tolik pozornosti a jsou tak v p\u0159ed\u00e1v\u00e1n\u00ed informac\u00ed funk\u010dn\u00ed. Tak\u017ee jsou na v\u00fdstav\u011b k dispozici dv\u011b verze textu \u2013 obs\u00e1hlej\u0161\u00ed v novin\u00e1ch a stru\u010dn\u00fd na A4.<\/p>\n\n\n\n

Mezin\u00e1rodn\u00ed kolektiv Slavs and Tatars pracuje s jazykem, identitou a kulturn\u00edmi nap\u011bt\u00edmi. Jak d\u016fle\u017eit\u00e9 pro tebe bylo propojit lok\u00e1ln\u00ed zku\u0161enosti se \u0161ir\u0161\u00edm, mezin\u00e1rodn\u00edm kontextem?<\/strong><\/p>\n\n\n\n

Bylo to pro m\u011b d\u016fle\u017eit\u00e9, cht\u011bla jsem uk\u00e1zat t\u00e9mata, kter\u00e1 rezonuj\u00ed za hranicemi, ale p\u0159esto se na\u0161\u00ed spole\u010dnosti a kulturn\u00edho prostoru bytostn\u011b t\u00fdkaj\u00ed. Slavs skv\u011ble propojuj\u00ed r\u016fzn\u00e9 protich\u016fdn\u00e9 my\u0161lenky a v\u00fdznamov\u00e9 vrstvy a je tomu tak i v instalaci, kterou pro DU\u00daL vytvo\u0159ili a kterou se prol\u00ednaj\u00ed odkazy na d\u016fle\u017eitost \u010dten\u00ed i k\u0159es\u0165anskou tradici. Do \u010de\u0161tiny voln\u011b p\u0159elo\u017een\u00fd cit\u00e1t, kter\u00fd dominuje st\u011bn\u011b hned u vchodu do v\u00fdstavn\u00edho prostoru, poch\u00e1z\u00ed z d\u00edla filosofa Johanna Georga Hamanna z 18. stolet\u00ed. To byla osobnost ve sv\u00e9 dob\u011b velmi avantgardn\u00ed \u2013 k\u0159es\u0165anstv\u00ed a filosofii propojoval s erotikou a kritizoval tak\u00e9 racionalitu, kterou p\u0159in\u00e1\u0161elo osv\u00edcenstv\u00ed. Podle n\u011bj nest\u00e1lo lidsk\u00e9 v\u011bd\u011bn\u00ed jen na faktech a v\u011bd\u011b, ale i n\u011b\u010dem intuitivn\u00edm nebo smyslov\u00e9m, co\u017e je d\u016fle\u017eit\u00e9 p\u0159ipom\u00ednat i v sou\u010dasn\u00e9 spole\u010dnosti, kter\u00e1 je siln\u011b ovlivn\u011bn\u00e1 digit\u00e1ln\u00edmi technologiemi. Celkov\u011b se mi hodn\u011b l\u00edb\u00ed, jak\u00fd mnohovrstevnat\u00fd mix jejich d\u00edlo prezentuje, \u010d\u00edm v\u00edce se t\u00edm zab\u00fdv\u00e1te, t\u00edm dal\u0161\u00ed kontexty se odkr\u00fdvaj\u00ed. <\/p>\n\n\n\n


\u2028V\u00fdstava klade d\u016fraz na proces a dlouhodob\u00e9 vztahy. Co si z tohoto p\u0159\u00edstupu m\u016f\u017ee odn\u00e9st n\u011bkdo, kdo pracuje mimo um\u011bleck\u00fd provoz? T\u0159eba v kultu\u0159e, vzd\u011bl\u00e1v\u00e1n\u00ed nebo komunitn\u00edch projektech?<\/strong><\/p>\n\n\n\n

Up\u0159\u00edmn\u011b douf\u00e1m, \u017ee to m\u016f\u017ee b\u00fdt pozitivn\u00ed zku\u0161enost kontaktu s um\u011bn\u00edm a t\u0159eba i p\u0159ekvapen\u00ed nebo my\u0161lenkov\u00fd posun v tom, jak\u00e9 formy m\u016f\u017ee sou\u010dasn\u00e9 v\u00fdtvarn\u00e9 um\u011bn\u00ed m\u00edt, jak\u00fdmi t\u00e9maty se m\u016f\u017ee zab\u00fdvat a \u017ee je m\u016f\u017eeme spolutvo\u0159it. Nicolas Bourriaud, jeho\u017e my\u0161lenkami je v\u00fdstava inspirovan\u00e1, vid\u00ed v kolektivn\u00edch typech d\u011bl s\u00edlu, kter\u00e1 m\u016f\u017ee pomoci obnovovat soci\u00e1ln\u00ed vazby, vzbudit z\u00e1jem o druh\u00e9 a navzdory sebest\u0159edn\u00e9mu individualismu na\u0161\u00ed spole\u010dnosti, pomoci p\u0159ipom\u00ednat, \u017ee jsme sou\u010d\u00e1st\u00ed celku. Podobn\u00e1 d\u00edla, kter\u00e1 pracuj\u00ed se skupinou, participac\u00ed aj. jsou pro n\u011bj d\u016fle\u017eit\u00e1, proto\u017ee umo\u017e\u0148uj\u00ed fyzick\u00e9 setk\u00e1v\u00e1n\u00ed lid\u00ed, v\u00fdm\u011bnu informac\u00ed, zku\u0161enost\u00ed a sd\u00edlen\u00ed z\u00e1\u017eitk\u016f. Jde mu o dynamiku a pohyb d\u011bl, k\u0159\u00ed\u017een\u00ed a vytv\u00e1\u0159en\u00ed svazku vztah\u016f se sv\u011btem i lidmi navz\u00e1jem. V\u017edycky ale z\u00e1le\u017e\u00ed na jednotlivci a tomu, co si do galerie p\u0159in\u00e1\u0161\u00ed s sebou – a taky ochot\u011b vystoupit z vlastn\u00ed komfortn\u00ed z\u00f3ny, soci\u00e1ln\u00ed bubliny a naslouchat jin\u00e9mu n\u00e1zoru, vn\u00edmat n\u011bco nezn\u00e1m\u00e9ho. <\/p>\n\n\n\n


V kontextu akademick\u00e9ho prost\u0159ed\u00ed se \u010dasto mluv\u00ed o propojov\u00e1n\u00ed v\u00fdzkumu, praxe a regionu. Vn\u00edm\u00e1\u0161 Sd\u00edlen\u00e9 existence jako p\u0159\u00edklad toho, jak m\u016f\u017ee takov\u00e9 propojen\u00ed fungovat v praxi?<\/strong><\/p>\n\n\n\n

Ur\u010dit\u011b, cel\u00e1 \u0159ada d\u011bl na v\u00fdstav\u011b jsou v\u00fdsledky dlouhodob\u00fdch um\u011blecko-v\u00fdzkumn\u00fdch projekt\u016f a vlastn\u011b i um\u011bleck\u00fdch doktorsk\u00fdch projekt\u016f autorstva z Fakulty um\u011bn\u00ed a designu UJEP. Tak\u017ee si je \u010dlov\u011bk m\u016f\u017ee na v\u00fdstav\u011b za\u017e\u00edt a poznat na vlastn\u00ed k\u016f\u017ei \u2013 a jak to funguje na ostatn\u00ed m\u011b samoz\u0159ejm\u011b zaj\u00edm\u00e1 hodn\u011b, pokud by mi n\u011bkdo cht\u011bl sd\u011blit sv\u016fj poznatek, budu r\u00e1da! Nicm\u00e9n\u011b jsem cht\u011bla je\u0161t\u011b dodat, \u017ee pro m\u011b byla v tomto ohledu d\u016fle\u017eit\u00e1 tak\u00e9 linie kur\u00e1torsk\u00fdch a um\u011bleck\u00fdch projekt\u016f, kter\u00e9 ji\u017e v \u00dasteck\u00e9m kraji vznikly v minulosti a pracovaly s jeho specifickou soci\u00e1ln\u011b-kulturn\u00ed pozic\u00ed a \u010dasto velmi mezioborov\u011b. M\u00e1m na mysli t\u0159eba velk\u00fd v\u00fdstavn\u00ed projekt Univerzita P\u0159edlice<\/em> propojuj\u00edc\u00ed studuj\u00edc\u00ed, pedagogy\/\u017eky Fakulty um\u011bn\u00ed a designu UJEP s vylou\u010denou lokalitou \u00fasteck\u00fdch P\u0159edlic i dal\u0161\u00ed v\u00fdstavy, kter\u00e9 realizoval Michal Kole\u010dek nebo ty, kter\u00e9 se objevily v galerii Hrani\u010d\u00e1\u0159. P\u016fvodn\u011b jsem k v\u00fdstav\u011b cht\u011bla zrealizovat je\u0161t\u011b debatu s tv\u016frci a participanty t\u011bchto projekt\u016f \u2013 zaj\u00edmalo by m\u011b, jak se oni sami koukaj\u00ed na tyhle projekty s odstupem \u010dasu. Nakonec ale u\u017e by byl doprovodn\u00fd program v\u00fdstavy moc robustn\u00ed a nezrealizovali jsme j\u00ed.<\/p>\n\n\n\n


Zaj\u00edm\u00e1 m\u011b komunita. Ne jako pojem, ale jako skute\u010dn\u00ed lid\u00e9. M\u00e1\u0161 pocit, \u017ee se kolem v\u00fdstavy m\u016f\u017ee vytvo\u0159it n\u011bco v\u00edc ne\u017e jen okruh n\u00e1v\u0161t\u011bvn\u00edk\u016f? N\u011bjak\u00e1 do\u010dasn\u00e1, ale sd\u00edlen\u00e1 energie?<\/strong><\/p>\n\n\n\n

V tomto ohledu bych ur\u010dit\u011b zm\u00ednila vernis\u00e1\u017e, kter\u00e1 se mi hodn\u011b l\u00edbila a p\u0159i\u0161la mi p\u0159irozen\u00e1, uvoln\u011bn\u00e1. V tom si mysl\u00edm, \u017ee skv\u011ble zafungovala hlavn\u011b performativn\u00ed ve\u010de\u0159e um\u011blce Ramiro Wonga, kter\u00e1 atmosf\u00e9ru prolomila d\u00edky j\u00eddlu a spole\u010dn\u00e9mu stolov\u00e1n\u00ed, co\u017e jsou skv\u011bl\u00e9 propojuj\u00edc\u00ed prvky vytv\u00e1\u0159ej\u00edc\u00ed jedine\u010dn\u00fd spole\u010dn\u00fd z\u00e1\u017eitek. J\u00eddlo ale autor zkoum\u00e1 i z hlediska kulturn\u00ed identity \u2013 propojoval zde proto peru\u00e1nsk\u00e9 speciality s historick\u00fdmi recepty, kter\u00e9 se objevovaly v d\u011blnick\u00e9 strav\u011b v \u00dast\u00ed nad Labem. Do\u010dasn\u00e9 propojen\u00ed, synergii si mysl\u00edm, \u017ee p\u0159inesla i dal\u0161\u00ed participativn\u00ed d\u00edla vzniknuv\u0161\u00ed v r\u00e1mci v\u00fdstavy, t\u0159eba autorky Helush Yiraq, kter\u00e1 vytvo\u0159ila kolektivn\u00ed d\u00edlo zalo\u017een\u00e9 na um\u011bleck\u00e9m zkoum\u00e1n\u00ed sn\u011bhu v Kru\u0161n\u00fdch hor\u00e1ch. Oboj\u00ed tak vlastn\u011b stoj\u00ed na spole\u010dn\u00e9m za\u017e\u00edv\u00e1n\u00ed n\u011b\u010deho, s \u010d\u00edm sice m\u00e1me b\u011b\u017enou zku\u0161enost, ale d\u00edky nov\u00e9mu r\u00e1mci ji m\u016f\u017eeme pro\u017e\u00edt a poznat jinak a sd\u00edlet, jak to vn\u00edmaj\u00ed ostatn\u00ed.<\/p>\n\n\n\n


Mysl\u00ed\u0161 si, \u017ee podobn\u00e9 projekty mohou pos\u00edlit sebev\u011bdom\u00ed m\u00edstn\u00edch iniciativ, kreativc\u016f nebo instituc\u00ed, i kdy\u017e jejich dopad nen\u00ed hned vid\u011bt?<\/strong><\/p>\n\n\n\n

V\u0161eobecn\u011b si mysl\u00edm, \u017ee to, co mohou obdobn\u00e9 projekty zas\u00edt, je pot\u0159eba postupn\u00e9ho, trp\u011bliv\u00e9ho a dlouhodob\u00e9ho budov\u00e1n\u00ed vztah\u016f, a\u0165 u\u017e v sousedstv\u00ed nebo v jin\u00e9m spole\u010denstv\u00ed. Mo\u017en\u00e1 mohou p\u0159in\u00e9st i prostou zku\u0161enost, \u017ee m\u016f\u017eeme b\u00fdt vid\u011bni, vysly\u0161eni a m\u00edt mo\u017enost vypr\u00e1v\u011bt vlastn\u00ed p\u0159\u00edb\u011bh, nehled\u011b na to, z jak\u00e9ho prost\u0159ed\u00ed \u010dlov\u011bk p\u0159ich\u00e1z\u00ed. D\u016fle\u017eit\u00fdm aspektem t\u011bchto d\u011bl je tak\u00e9 p\u0159\u00edstup ke kolektivn\u00edmu autorstv\u00ed, rovn\u00e9mu p\u0159\u00edstupu, kter\u00e9mu se ve sv\u00e9m d\u00edle v\u011bnuje mimo jin\u00e9 v\u00fdznamn\u00e1 kunsthistori\u010dka Claire Bishop. Pro tu je participativn\u00ed um\u011bn\u00ed velk\u00fdm t\u00e9matem a \u0159\u00edk\u00e1, \u017ee tyto formy um\u011bn\u00ed v\u011bdom\u011b nabour\u00e1vaj\u00ed za\u017eit\u00e9 hierarchie a ukazuj\u00ed vzor skute\u010dn\u011b participativn\u00ed a rovnost\u00e1\u0159sk\u00e9 spole\u010dnosti \u2013 prost\u0159edku soci\u00e1ln\u00ed i politick\u00e9 zm\u011bny. Tak\u017ee i kdyby to m\u011bla b\u00fdt inspirace v tom, jak\u00e9 aktivity realizuje n\u011bkdo jin\u00fd, networking, inspirace ur\u010dit\u00fdmi principy, m\u00e1 to ur\u010dit\u011b smysl.<\/p>\n\n\n\n

Petra Wid\u017eov\u00e1 <\/strong>(*1991) je absolventkou Fakulty humanitn\u00edch studi\u00ed Univerzity Karlovy a oboru Kur\u00e1torsk\u00e1 studia na Fakult\u011b um\u011bn\u00ed a designu v \u00dast\u00ed nad Labem, kde v sou\u010dasnosti pokra\u010duje doktorsk\u00fdm v\u00fdzkumem problematiky um\u011bleck\u00fdch poz\u016fstalost\u00ed. Ve sv\u00e9 praxi se v\u011bnuje kulturn\u00edmu managementu a je nez\u00e1vislou kur\u00e1torkou sou\u010dasn\u00e9ho vizu\u00e1ln\u00edho um\u011bn\u00ed. Zam\u011b\u0159uje se p\u0159edev\u0161\u00edm na realizaci kolektivn\u00edch v\u00fdstav pramen\u00edc\u00edch z interdisciplin\u00e1rn\u00edho kur\u00e1torsk\u00e9ho v\u00fdzkumu (Logika r\u016fstu 2023, MUD Bene\u0161ov, Good job 2024, Galerie Hrani\u010d\u00e1\u0159, p\u0159ipravovan\u00e9 Shared existences 2025, D\u016fm um\u011bn\u00ed \u00dast\u00ed nad Labem, Ateli\u00e9r \/ realit\u00e9 2026, GAMPA Pardubice). Je spoluzakladatelkou a kur\u00e1torkou projektu Artmat zam\u011b\u0159en\u00e9ho na prezentaci mlad\u00fdch sou\u010dasn\u00fdch um\u011blc\u016f\/ky\u0148 ve ve\u0159ejn\u00e9m prostoru, v r\u00e1mci kter\u00e9ho od roku 2021 rozv\u00edj\u00ed mezin\u00e1rodn\u00ed spolupr\u00e1ci s \u010cesk\u00fdmi centry. Spoluzalo\u017eila galerii Vitr\u00edny Fr\u00fddlantsk\u00e1 (dnes Vitr\u00edny Artbiom) a festival Otev\u0159en\u00e9 ateli\u00e9ry Praha.<\/p>\n\n\n\n

Kompletn\u00ed informace o mezin\u00e1rodn\u00ed skupinov\u00e9 v\u00fdstav\u011b Sd\u00edlen\u00e9 existence ZDE<\/a> <\/strong><\/p>\n\n\n\n

foto Filip Truba\u010d a Sarah Janou\u0161kov\u00e1 (skupinov\u00e1 fotka z nat\u00e1\u010den\u00ed podcastu FASTFUD)<\/p>\n<\/div>\n\n\n\n

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<\/p>\n\n\n\n

V\u00fdstava Sd\u00edlen\u00e9 existence je sou\u010d\u00e1st\u00ed Strategick\u00e9ho projektu RUR realizovan\u00e9ho UJEP, kter\u00fd z\u00edskal podporu z prost\u0159edk\u016f Fondu spravedliv\u00e9 transformace, CZ.10.02.01\/00\/22_002\/0000210.<\/p>\n","protected":false},"excerpt":{"rendered":"

Skupinov\u00e1 mezin\u00e1rodn\u00ed v\u00fdstava Sd\u00edlen\u00e9 existence v Dom\u011b um\u011bn\u00ed \u00dast\u00ed nad Labem p\u0159edstavuje um\u011bn\u00ed zalo\u017een\u00e9 na spolupr\u00e1ci, participaci a dlouhodob\u00fdch vztaz\u00edch. Kur\u00e1torka Petra Wid\u017eov\u00e1 v rozhovoru mluv\u00ed o komunitn\u00edm a kolektivn\u00edm um\u011bn\u00ed, o p\u0159esazov\u00e1n\u00ed zku\u0161enost\u00ed z konkr\u00e9tn\u00edch m\u00edst do galerie i o tom, pro\u010d je dnes d\u016fle\u017eit\u00e9 vn\u00edmat v\u00fdstavn\u00ed prostor jako m\u00edsto setk\u00e1v\u00e1n\u00ed, sd\u00edlen\u00ed a aktivn\u00edho […]<\/p>\n","protected":false},"author":3,"featured_media":2459,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[17],"tags":[19],"class_list":["post-2419","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-duul","tag-duul"],"_links":{"self":[{"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/posts\/2419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2419"}],"version-history":[{"count":3,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/posts\/2419\/revisions"}],"predecessor-version":[{"id":2461,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/posts\/2419\/revisions\/2461"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/media\/2459"}],"wp:attachment":[{"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2419"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2419"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}