{"id":1650,"date":"2025-06-16T14:49:46","date_gmt":"2025-06-16T12:49:46","guid":{"rendered":"https:\/\/bod.ujep.cz\/?p=1650"},"modified":"2025-06-20T10:16:47","modified_gmt":"2025-06-20T08:16:47","slug":"lenka-kahuda-klokockova-kresba-a-otisk","status":"publish","type":"post","link":"https:\/\/bod.ujep.cz\/?p=1650","title":{"rendered":"Lenka Kahuda Kloko\u010dkov\u00e1: Kresba a otisk"},"content":{"rendered":"\n
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Na po\u010d\u00e1tku v\u00fdvoje forem vizu\u00e1ln\u00ed komunikace byla kresba. Kresba je z\u00e1kladn\u00edm prost\u0159edkem \u010dlov\u011bka k n\u00e1zorn\u00e9mu zachycen\u00ed a vyj\u00e1d\u0159en\u00ed vid\u011bn\u00e9ho i my\u0161len\u00e9ho. B\u011bhem des\u00edtky tis\u00edc let trvaj\u00edc\u00ed evoluce vizu\u00e1ln\u00ed komunikace se kresby postupn\u011b st\u00e1valy sch\u00e9maty, redukovaly se na znaky, z nich\u017e se formovala sv\u011btov\u00e1 p\u00edsma. Kresby, texty a jejich otisky (reprodukce) daly vzniknout periodick\u00fdm i neperiodick\u00fdm tiskovin\u00e1m, nap\u0159. knih\u00e1m, novin\u00e1m i propagaci, a t\u00edm polo\u017eily z\u00e1klady dne\u0161n\u00edch m\u00e9di\u00ed. Sou\u010dasn\u00e9 dorozum\u00edv\u00e1n\u00ed (komunikace) prost\u0159ednictv\u00edm obrazu a textu prob\u00edh\u00e1 v oblastech designu i voln\u00e9 um\u011bleck\u00e9 tvorby. Jakou roli dnes sehr\u00e1v\u00e1 kresba a grafika ve fyzick\u00fdch a elektronick\u00fdch m\u00e9di\u00edch? A jak\u00e9 jsou aktu\u00e1ln\u00ed genera\u010dn\u00ed preference ve vizu\u00e1ln\u00ed komunikaci? Nejen na tyto ot\u00e1zky m\u016f\u017eete nal\u00e9zt odpov\u011bdi v kurzu Kresba a otisk.<\/strong>
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Pod pojmem vizu\u00e1ln\u00ed komunikace si m\u016f\u017eeme p\u0159edstavit dorozum\u00edv\u00e1n\u00ed prost\u0159ednictv\u00edm obrazu a textu. N\u00e1m d\u016fv\u011brn\u011b zn\u00e1m\u00e9 komunika\u010dn\u00ed prost\u0159edky z hmatateln\u00e9ho \u010di virtu\u00e1ln\u00edho prostoru, jak\u00fdmi jsou nap\u0159. internetov\u00e9 str\u00e1nky, soci\u00e1ln\u00ed s\u00edt\u011b, televizn\u00ed vys\u00edl\u00e1n\u00ed, denn\u00ed tisk, film \u010di publikace, kter\u00e9 souhrnn\u011b naz\u00fdv\u00e1me m\u00e9dia, jsou neodmyslitelnou sou\u010d\u00e1st\u00ed v\u0161edn\u00edho \u017eivota v civilizovan\u00e9m sv\u011bt\u011b. Dnes komunikujeme textem a fotografiemi tak\u0159ka neust\u00e1le. Poj\u010fme se ale v p\u0159\u00edb\u011bhu sou\u010dasn\u00e9ho medializovan\u00e9ho sv\u011bta vr\u00e1tit k z\u00e1klad\u016fm v\u00fdvoje forem vizu\u00e1ln\u00ed komunikace, k m\u00e9di\u00edm, kter\u00e1 t\u011bm dne\u0161n\u00edm p\u0159edch\u00e1zela, p\u0159esto jsou st\u00e1le jejich legitimn\u00ed sou\u010d\u00e1st\u00ed. Do dob, jen\u017e p\u0159edch\u00e1zely vyn\u00e1lez\u016fm, jako je um\u011bl\u00e1 inteligence, z\u00e1znam pohybliv\u00e9ho obrazu, fotografie \u010di tisk, kter\u00e9 nav\u017edy zm\u011bnily sv\u011bt. D\u0159\u00edve, ne\u017e lid\u00e9 vyvinuli \u0161pi\u010dkov\u00e9 technologie k tvorb\u011b, zachycen\u00ed, zprost\u0159edkov\u00e1n\u00ed a rozmno\u017een\u00ed informac\u00ed, zaznamen\u00e1vali sv\u00e9 poznatky o v\u011bcech a d\u011bj\u00edch ru\u010dn\u011b ztv\u00e1rn\u011bn\u00fdmi obrazy. Po\u010d\u00e1tky v\u00fdvoje n\u00e1zorn\u00e9ho vyj\u00e1d\u0159en\u00ed vid\u011bn\u00e9ho a my\u0161len\u00e9ho, sd\u011blov\u00e1n\u00ed pomoc\u00ed v\u00edce \u010di m\u00e9n\u011b v\u011brn\u00e9 n\u00e1podoby, se v d\u011bjin\u00e1ch lidstva datuj\u00ed v des\u00edtk\u00e1ch tis\u00edc let p\u0159ed na\u0161\u00edm letopo\u010dtem. V rozs\u00e1hl\u00e9 kulturn\u00ed evoluci lidstva oded\u00e1vna p\u016fsobili jedinci, kte\u0159\u00ed byli schopni obrazov\u00fd z\u00e1znam zpracovat tak, aby byl rozpoznateln\u00fd pro ostatn\u00ed, nap\u0159. kresbou. Prvotn\u00ed kresby se, v \u0159\u00e1dech tis\u00edcilet\u00ed, postupn\u011b st\u00e1valy sch\u00e9maty, redukovaly se na znaky, z nich\u017e se formovala sv\u011btov\u00e1 p\u00edsma. Ohl\u00e9dn\u011bme se za postupy zobrazov\u00e1n\u00ed \u010dasto technologicky slo\u017eit\u00fdch, zdlouhav\u00fdch i nep\u0159esn\u00fdch obraz\u016f a p\u00edsemn\u00fdch z\u00e1znam\u016f, na lidsk\u00e9 dovednosti a zna\u010dn\u011b vynakl\u00e1dan\u00e9 \u00fasil\u00ed, kter\u00e9 v pom\u011brn\u011b ned\u00e1vn\u00e9 dob\u011b nahradilo zm\u00e1\u010dknut\u00ed spou\u0161t\u011b apar\u00e1tu, digit\u00e1ln\u00ed zpracov\u00e1n\u00ed a okam\u017eit\u00fd tisk.
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Jak s\u00e1m n\u00e1zev \u201e<\/em>Kresba a otisk\u201d napov\u00edd\u00e1, v kurzu se budeme zab\u00fdvat historick\u00fdm v\u00fdvojem sd\u011blovac\u00edch prost\u0159edk\u016f pr\u00e1v\u011b od prvotn\u00edch kreseb. Rozebereme v\u00fdznam kresby a na praktick\u00fdch p\u0159\u00edkladech si p\u0159edstav\u00edme jej\u00ed funkce, jej\u00ed kognitivn\u00ed charakter, co\u017e znamen\u00e1, \u017ee se prost\u0159ednictv\u00edm kresby dodnes u\u010d\u00edme pozn\u00e1vat sv\u011bt kolem n\u00e1s. Kresebn\u00fd z\u00e1znam n\u00e1s zavede k materi\u00e1lu, kter\u00fd obraz uchov\u00e1v\u00e1, tedy k nosi\u010di, tj. m\u00e9diu, ze kter\u00e9ho jsme schopni informaci vizu\u00e1ln\u011b p\u0159ej\u00edmat. V dob\u00e1ch p\u0159ed po\u010d\u00edta\u010di byly t\u011bmito m\u00e9dii skaln\u00ed st\u011bny, zdiva, d\u0159ev\u011bn\u00e9, hlin\u011bn\u00e9 a kamenn\u00e9 desky, papyrov\u00e9 svitky, pergameny, pl\u00e1tna, ale tak\u00e9, dnes ji\u017e b\u011b\u017en\u00fd, pap\u00edr. Kresba na podkladu tvo\u0159\u00ed takzvanou formu z\u00e1znamu, ale v\u00fdznam vid\u011bn\u00e9ho sd\u011blen\u00ed p\u0159ij\u00edm\u00e1me ment\u00e1ln\u011b. P\u0159edstav\u00edme si formu obrazov\u00e9ho a textov\u00e9ho pr\u016fvodce, jak\u00e9hosi slovn\u00edku. Proto, abychom mohli na\u0161e zku\u0161enosti, neboli obsah pozn\u00e1n\u00ed, sd\u00edlet s ostatn\u00edmi, mus\u00edme si porozum\u011bt v jazyce. Krom\u011b zobrazov\u00e1n\u00ed, psan\u00ed a \u010dten\u00ed je pot\u0159eba nau\u010dit se si v\u011bci uv\u011bdomovat v souvislostech, tedy zasazovat do kontextu. <\/p>\n\n\n\n

Proto, abychom se pomoc\u00ed slovn\u00edku mohli dorozum\u011bt s \u0161ir\u0161\u00ed skupinou lid\u00ed, jej pot\u0159ebujeme namno\u017eit a roz\u0161\u00ed\u0159it, jin\u00fdmi slovy reprodukovat a publikovat. T\u00edm se dost\u00e1v\u00e1me k dal\u0161\u00ed \u010d\u00e1sti kurzu, kter\u00e1 se bude v\u011bnovat matrici, tj. nosi\u010di textu i obrazu, jen\u017e umo\u017e\u0148uje jejich reprodukci pomoc\u00ed otisku. Tato \u010d\u00e1st bude tedy v\u011bnov\u00e1na grafice. V lekci se zam\u011b\u0159\u00edme na v\u00fdvoj grafick\u00fdch technik a \u00falohu tiskovin (printed matters). Co jsou tiskoviny a k \u010demu slou\u017e\u00ed, a to v dob\u011b p\u0159ed i po vyn\u00e1lezu fotografie. Kresba, v\u00fdroba pap\u00edru, stejn\u011b tak technologie tisku jdou ruku v ruce s rozvojem kni\u017en\u00ed kultury. Pov\u00edme si o v\u00fdvoji m\u00e9dia knihy a dal\u0161\u00edch tiskovin, jako nap\u0159. novin a \u010dasopis\u016f, pohlednic, plak\u00e1t\u016f, reklamn\u00edch nosi\u010d\u016f, obal\u016f ad. T\u00edm z\u00e1rove\u0148 p\u0159es\u00e1hneme do samostatn\u00e9 kapitoly t\u00fdkaj\u00edc\u00ed se \u00fapravy tiskovin, tedy grafick\u00e9ho designu
a typografie. Nad r\u00e1mec grafick\u00e9ho designu a ilustrace figuruj\u00ed kresba a tisk i v dal\u0161\u00edch design\u00e9rsk\u00fdch oborech, uve\u010fme nap\u0159. produktov\u00fd, fashion a webdesign, jsou sou\u010d\u00e1st\u00ed reklamn\u00edho a filmov\u00e9ho pr\u016fmyslu. \u00daloha kresby a otisku v\u0161ak neslou\u017e\u00ed pouze praktick\u00e9mu vyu\u017eit\u00ed, tj. designu. Ob\u011b m\u00e9dia pro\u0161la svou emancipac\u00ed a jsou sv\u00e9bytn\u00fdmi prost\u0159edky vyj\u00e1d\u0159en\u00ed ve voln\u00e9 um\u011bleck\u00e9 tvorb\u011b. 
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V samotn\u00e9m z\u00e1v\u011bru kurzu shrneme poznatky o kresb\u011b, pap\u00edru, tisku a knize. Ov\u011b\u0159\u00edme sv\u00e9 znalosti b\u011bhem simulace v\u00fdroby ilustrovan\u00e9 knihy, jakou je nap\u0159. u\u010debnice, d\u011btsk\u00e1 kniha \u010di komiks, a\u0165 u\u017e z hlediska d\u00edl\u010d\u00edch technologi\u00edch, tak i zastoupen\u00edm profes\u00ed osob pod\u00edlej\u00edc\u00edch se na procesu vyd\u00e1n\u00ed publikace. Dostaneme se i k diskuzi nad sou\u010dasnou \u00fa\u010dinnost\u00ed fyzick\u00fdch a elektronick\u00fdch m\u00e9di\u00ed, zhodnot\u00edme aktu\u00e1ln\u00ed situaci na trhu, budeme hovo\u0159it o ekologii a dopadech pr\u016fmyslov\u00e9ho tisku na \u017eivotn\u00ed prost\u0159ed\u00ed. V neposledn\u00ed \u0159ad\u011b spole\u010dn\u011b probereme t\u00e9ma aktu\u00e1ln\u00edch genera\u010dn\u00edch preferenc\u00ed ve vizu\u00e1ln\u00ed komunikaci. <\/p>\n\n\n\n

MgA. Lenka Kahuda Kloko\u010dkov\u00e1, MA, Ph.D.<\/strong> (1984) se zab\u00fdv\u00e1 praktick\u00fdm i teoretick\u00fdm v\u00fdzkumem kresby. Absolvovala doktorsk\u00fd studijn\u00ed program Vizu\u00e1ln\u00ed komunikace Fakulty um\u011bn\u00ed a designu UJEP s projektem Mapa \u010desk\u00e9 sou\u010dasn\u00e9 kresby, jeho\u017e sou\u010d\u00e1st\u00ed je online vzd\u011bl\u00e1vac\u00ed platforma ceskakresba.cz. V sou\u010dasn\u00e9 dob\u011b na FUD vyu\u010duje grafick\u00e9 techniky v r\u00e1mci Katedry v\u00fdtvarn\u00e9 praxe, kterou vede. Vystudovala litografii v ateli\u00e9ru Ingrid Ledent na Kr\u00e1lovsk\u00e9 akademii v\u00fdtvarn\u00e9ho um\u011bn\u00ed v belgick\u00fdch Antverp\u00e1ch (AP KASK) a obor Kresba a grafika v ateli\u00e9ru grafiky Ji\u0159\u00edho Lindovsk\u00e9ho na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v Praze. B\u011bhem studi\u00ed na AVU absolvovala st\u00e1\u017ee v socha\u0159sk\u00e9m ateli\u00e9ru Jaroslava R\u00f3ny, ateli\u00e9ru hostuj\u00edc\u00edho profesora v\u00edde\u0148sk\u00e9 akademie Floriana Pumh\u00f6sla, ateli\u00e9ru Ingrid Ledent a reziden\u010dn\u00ed pobyt ve Frans Masereel Centre v Belgii. Studovala t\u00e9\u017e Grafick\u00fd design na takzvan\u00e9 Hellichovce v Praze. V grafick\u00e9mu designu se postupn\u011b specializovala na sazbu a \u00fapravu knih. Osobn\u011b vydala n\u011bkolik publikac\u00ed a na tvorb\u011b \u0159ady dal\u0161\u00edch se pod\u00edlela. Nad r\u00e1mec profese vizu\u00e1ln\u00ed um\u011blkyn\u011b a vysoko\u0161kolsk\u00e9 pedago\u017eky pracuje tak\u00e9 jako ilustr\u00e1torka, redaktorka, nakladatelka, kur\u00e1torka, dramaturgyn\u011b a produk\u010dn\u00ed kulturn\u00edch ud\u00e1lost\u00ed. V r\u00e1mci sv\u00e9ho spolku se v\u011bnuje nap\u0159\u00edklad provozu litografick\u00e9 d\u00edlny, komunikaci um\u011bleck\u00e9 \u010dtvrti nebo po\u0159\u00e1d\u00e1n\u00ed komorn\u00edch festival\u016f \u010di dne otev\u0159en\u00fdch ateli\u00e9r\u016f v severo\u010desk\u00fdch Litom\u011b\u0159ic\u00edch. Dlouhodob\u011b lektoruje grafick\u00e9 workshopy, po\u0159\u00e1d\u00e1 mezin\u00e1rodn\u00ed litografick\u00e1 sympozia. P\u0159isp\u00edv\u00e1 odborn\u00fdmi \u010dl\u00e1nky do Mezin\u00e1rodn\u00ed revue o sou\u010dasn\u00e9 grafice Grapheion. Je \u010dlenkou S\u010cUG Hollar a Institutu kresby a grafiky, kter\u00e9mu p\u0159edsed\u00e1. Za kresbu a grafiku obdr\u017eela \u010desk\u00e1 i mezin\u00e1rodn\u00ed ocen\u011bn\u00ed. Sv\u00e1 d\u00edla vystavuje v \u010cech\u00e1ch a zahrani\u010d\u00ed.<\/p>\n<\/div>\n\n\n\n

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foto Ji\u0159\u00ed Dvo\u0159\u00e1k a archiv Lenky Kahudy Kloko\u010dkov\u00e9<\/em><\/p>\n\n\n\n

Odkaz na BOD.FUD: Kurzy kreativn\u00ed praxe<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Na po\u010d\u00e1tku v\u00fdvoje forem vizu\u00e1ln\u00ed komunikace byla kresba. Kresba je z\u00e1kladn\u00edm prost\u0159edkem \u010dlov\u011bka k n\u00e1zorn\u00e9mu zachycen\u00ed a vyj\u00e1d\u0159en\u00ed vid\u011bn\u00e9ho i my\u0161len\u00e9ho. B\u011bhem des\u00edtky tis\u00edc let trvaj\u00edc\u00ed evoluce vizu\u00e1ln\u00ed komunikace se kresby postupn\u011b st\u00e1valy sch\u00e9maty, redukovaly se na znaky, z nich\u017e se formovala sv\u011btov\u00e1 p\u00edsma. Kresby, texty a jejich otisky (reprodukce) daly vzniknout periodick\u00fdm i neperiodick\u00fdm […]<\/p>\n","protected":false},"author":3,"featured_media":1615,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[24],"tags":[25],"class_list":["post-1650","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kurzy","tag-kurzy"],"_links":{"self":[{"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/posts\/1650","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1650"}],"version-history":[{"count":9,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/posts\/1650\/revisions"}],"predecessor-version":[{"id":1759,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/posts\/1650\/revisions\/1759"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/media\/1615"}],"wp:attachment":[{"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1650"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1650"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1650"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}