{"id":1507,"date":"2025-04-15T11:30:36","date_gmt":"2025-04-15T09:30:36","guid":{"rendered":"https:\/\/bod.ujep.cz\/?p=1507"},"modified":"2025-04-22T11:57:28","modified_gmt":"2025-04-22T09:57:28","slug":"presuny-a-proudy-kde-se-setkavaji-dnepr-a-labesablona","status":"publish","type":"post","link":"https:\/\/bod.ujep.cz\/?p=1507","title":{"rendered":"V\u00fdstava: P\u0159esuny a proudy \u2013 Kde\u00a0se setk\u00e1vaj\u00ed Dn\u011bpr a\u00a0Labe"},"content":{"rendered":"\n
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24. 4. \u2013 26. 7. 2025
D\u016fm um\u011bn\u00ed \u00dast\u00ed nad Labem<\/p>\n\n\n\n

Tato rozs\u00e1hl\u00e1 skupinov\u00e1 v\u00fdstava zkoum\u00e1 spletit\u00e9 d\u011bjiny a sou\u010dasnou realitu pohybu lid\u00ed, kultur, objekt\u016f a my\u0161lenek nap\u0159\u00ed\u010d regiony, kter\u00e9 byly historicky formov\u00e1ny socialismem, autoritativn\u00edmi socialistick\u00fdmi re\u017eimy a jejich n\u00e1sledky. Od b\u0159eh\u016f Dn\u011bpru na Ukrajin\u011b a\u017e po Labe v \u010cesk\u00e9 republice sleduje v\u00fdstava trajektorie vys\u00eddlen\u00ed, odolnosti a um\u011bleck\u00e9 reakce na pozad\u00ed politick\u00fdch ot\u0159es\u016f, v\u00e1lek a syst\u00e9mov\u00fdch prom\u011bn.<\/strong><\/p>\n\n\n\n

V kontextu prob\u00edhaj\u00edc\u00ed rusk\u00e9 v\u00e1lky proti Ukrajin\u011b a dal\u0161\u00edch glob\u00e1ln\u00edch kriz\u00ed v\u00fdstava p\u0159edstavuje rozmanit\u00fd soubor sou\u010dasn\u00fdch i historick\u00fdch d\u011bl, kter\u00e1 reflektuj\u00ed nucenou migraci, kulturn\u00ed p\u0159e\u017eit\u00ed, pam\u011b\u0165 a vz\u00e1jemnou propojenost. V\u00fdstava byla p\u016fvodn\u011b koncipov\u00e1na, produkov\u00e1na a uvedena na podzim roku 2024 v Cit\u00e9 internationale des arts v Pa\u0159\u00ed\u017ei \u2013 ikonick\u00e9 instituci, kter\u00e1 od roku 1965 host\u00ed um\u011blce z cel\u00e9ho sv\u011bta.<\/p>\n\n\n\n

Jako sv\u016fj metaforick\u00fd st\u0159ed si v\u00fdstava bere pomysln\u00e9 setk\u00e1n\u00ed dvou \u0159ek \u2013 Dn\u011bpru a Labe \u2013, \u010d\u00edm\u017e propojuje osobn\u00ed i kolektivn\u00ed p\u0159\u00edb\u011bhy vys\u00eddlen\u00ed a hled\u00e1n\u00ed \u00fato\u010di\u0161t\u011b. Tento symbolick\u00fd soutok vych\u00e1z\u00ed z osobn\u00ed historie kur\u00e1tora Sashy Baydala, jeho\u017e p\u0159\u00edbuzn\u00ed byli po rusk\u00e9 invazi na Ukrajinu v roce 2022 nuceni se p\u0159es\u00eddlit do \u00dast\u00ed nad Labem.<\/p>\n\n\n\n

Projekt se vyzna\u010duje \u0161irok\u00fdm geografick\u00fdm i \u010dasov\u00fdm z\u00e1b\u011brem. Krom\u011b Francie, \u010cesk\u00e9 republiky a Ukrajiny se vztahuje tak\u00e9 ke St\u0159edn\u00ed Asii, Kavkazu, V\u00fdchodn\u00ed a Jihov\u00fdchodn\u00ed Asii, Severn\u00ed a V\u00fdchodn\u00ed Africe a Karibiku. Zahrnuje n\u011bkolik generac\u00ed um\u011blc\u016f, jak za\u010d\u00ednaj\u00edc\u00edch, tak etablovan\u00fdch, a p\u0159edstavuje d\u00edla b\u00fdval\u00fdch i sou\u010dasn\u00fdch rezident\u016f Cit\u00e9 internationale des arts v Pa\u0159\u00ed\u017ei. Zvl\u00e1\u0161tn\u00ed d\u016fraz je soust\u0159ed\u011bn na m\u011bsto \u00dast\u00ed nad Labem \u2013 na jeho vrstevnatou historii a na jej\u00ed odraz v um\u011bleck\u00e9 tvorb\u011b.<\/p>\n\n\n\n

V\u00fdstava z\u00e1rove\u0148 klade ot\u00e1zky: Kdo je nucen k p\u0159es\u00eddlen\u00ed a kdo je naopak p\u0159ipout\u00e1n k ur\u010dit\u00e9mu m\u00edstu? Jak politick\u00e9 s\u00edly utv\u00e1\u0159ej\u00ed pr\u00e1vo na pohyb? Jak lze sd\u00edlet zku\u0161enosti s p\u0159es\u00eddlov\u00e1n\u00edm a co ur\u010duje jejich nerovnou viditelnost? A v neposledn\u00ed \u0159ad\u011b: Jak mohou um\u011bn\u00ed a kultura pomoci orientovat se v traumatu a prom\u011bnit ho v prostor pro sou\u017eit\u00ed, vz\u00e1jemn\u00e9 u\u010den\u00ed a odpor?<\/p>\n\n\n\n

Vernis\u00e1\u017e v\u00fdstavy: 23. 4. 2025 od 18.00 hodin.
Komentovan\u00e1 prohl\u00eddka v\u00fdstavy s um\u011blkyn\u011bmi a um\u011blci a kur\u00e1torsk\u00fdm t\u00fdmem prob\u011bhne od 16.30 hodin.<\/strong><\/p>\n\n\n\n

Vystavuj\u00edc\u00ed<\/strong>
Louisa Babari, Yana Bachynska, Maja Bajevi\u0107 and Emanuel Licha, Abel Barroso, Jagoda Bui\u0107, Andr\u00e9 Cadere, DAVRA Collective (Valeriya Kim, Dona Kulmatova, Zumrad Mirzalieva, and Saodat Ismailova), Robert Gabris, Igor Grubi\u0107, Danylo Halkin, Nikolay Karabinovych, Zdena Kole\u010dkov\u00e1, Alban Muja, Sandra Muteteri Heremans, Halyna Neledva, Kvet Nguyen (Hoa Nguy\u1ec5n Th\u1ecb), Minh Th\u1eafng Ph\u1ea1m, Vincent Rumahloine, Araks Sahakyan and Rebecca Topakian, Souli Seferov, Huai-Kuei Song, Josef Sudek, Li Ki Sun Bej\u010dkov\u00e1, Masha Sviatahor, Maryn Varbanov<\/p>\n\n\n\n

Kur\u00e1torsk\u00fd t\u00fdm<\/strong>
Sasha Baydal
Nata\u0161a Petre\u0161in-Bachelez<\/p>\n\n\n\n

Produkce<\/strong>
Krist\u00fdna C\u00edsa\u0159ov\u00e1
Zuzana Dole\u017eelov\u00e1
Dominik Kobeda
Mark\u00e9ta M\u00fcllerov\u00e1<\/p>\n\n\n\n

Instalace<\/strong>
Jakub Chore\u0148
Jan C. L\u00f6bl
J\u00e1chym Myslivec
\u0160tefan Pecko
Karim Tarakji
t\u00fdm DUUL<\/p>\n\n\n\n

Grafick\u00fd design<\/strong>
Marek Fanta<\/p>\n<\/div>\n\n\n\n

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\"\"
Kvet Nguyen (Hoa Nguy\u1ec5n Th\u1ecb), Leftover Bodies, 2024.
S laskav\u00fdm svolen\u00edm autorky.<\/figcaption><\/figure>\n\n\n\n
\"\"
Igor Grubi\u0107, Peace (Mir), 2011. Foto: Ale\u0161 Loziak.
S laskav\u00fdm svolen\u00edm autora.<\/figcaption><\/figure>\n\n\n\n
\"\"
Robert Gabris, You will never belong into my space!, 2021. S laskav\u00fdm svolen\u00edm autora.<\/figcaption><\/figure>\n\n\n\n
\"\"
Souli Seferov, Untitled, 1980.
Archiv Cit\u00e9 internationale des arts, Pa\u0159\u00ed\u017e.<\/figcaption><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n\n\n

Podrobn\u00e9 informace k v\u00fdstav\u011b z\u00edsk\u00e1te po kliknut\u00ed na tento \u0159\u00e1dek<\/strong><\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

24. 4. \u2013 26. 7. 2025D\u016fm um\u011bn\u00ed \u00dast\u00ed nad Labem Tato rozs\u00e1hl\u00e1 skupinov\u00e1 v\u00fdstava zkoum\u00e1 spletit\u00e9 d\u011bjiny a sou\u010dasnou realitu pohybu lid\u00ed, kultur, objekt\u016f a my\u0161lenek nap\u0159\u00ed\u010d regiony, kter\u00e9 byly historicky formov\u00e1ny socialismem, autoritativn\u00edmi socialistick\u00fdmi re\u017eimy a jejich n\u00e1sledky. Od b\u0159eh\u016f Dn\u011bpru na Ukrajin\u011b a\u017e po Labe v \u010cesk\u00e9 republice sleduje v\u00fdstava trajektorie vys\u00eddlen\u00ed, odolnosti […]<\/p>\n","protected":false},"author":3,"featured_media":1498,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[17],"tags":[19],"class_list":["post-1507","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-duul","tag-duul"],"_links":{"self":[{"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/posts\/1507","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1507"}],"version-history":[{"count":7,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/posts\/1507\/revisions"}],"predecessor-version":[{"id":1514,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/posts\/1507\/revisions\/1514"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=\/wp\/v2\/media\/1498"}],"wp:attachment":[{"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1507"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1507"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bod.ujep.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1507"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}